
September 19th
7pm
A call to action for the creative class and labor movement to rally against the power of Big Tech and Big Media.
“[Giblin and Doctorow] deliver a lucid and damning exposé of how big business captured the culture markets.” —Publishers Weekly Starred Review
"This book is an absolute must-read for anyone who senses that the predominant economic mythology is a lie…and who is ready to finally start fixing the problem." — David Sirota, writer of Don't Look Up and founder of The Lever
Corporate concentration has breached the stratosphere, as have corporate profits. An ever-expanding constellation of industries are now monopolies (where sellers have excessive power over buyers) or monopsonies (where buyers hold the whip hand over sellers)—or both.
In Chokepoint Capitalism, scholar Rebecca Giblin and writer and activist Cory Doctorow argue we’re in a new era of “chokepoint capitalism,” with exploitative businesses creating insurmountable barriers to competition that enable them to capture value that should rightfully go to others. All workers are weakened by this, but the problem is especially well-illustrated by the plight of creative workers. From Amazon’s use of digital rights management and bundling to radically change the economics of book publishing, to Google and Facebook’s siphoning away of ad revenues from news media, and the Big Three record labels’ use of inordinately long contracts to up their own margins at the cost of artists, chokepoints are everywhere.
By analyzing book publishing and news, live music and music streaming, screenwriting, radio and more, Giblin and Doctorow deftly show how powerful corporations construct “anti-competitive flywheels” designed to lock in users and suppliers, make their markets hostile to new entrants, and then force workers and suppliers to accept unfairly low prices.
In the book’s second half, Giblin and Doctorow then explain how to batter through those chokepoints, with tools ranging from transparency rights to collective action and ownership, radical interoperability, contract terminations, job guarantees, and minimum wages for creative work.
Chokepoint Capitalism is a call to workers of all sectors to unite to help smash these chokepoints and take back the power and profit that’s being heisted away—before it’s too late.
We recommend that guests wear masks.

Rebecca Giblin (she/her) is an ARC Future Fellow and Professor at Melbourne Law School, where she leads interdisciplinary teams researching issues around creators’ rights, access to knowledge, and the regulation of technology and culture. She is Director of the Intellectual Property Research Institute of Australia (IPRIA) and heads up the Author’s Interest and eLending projects (authorsinterest.org; elendingproject.org), as well as Untapped: the Australian Literary Heritage Project (untapped.org.au). Chokepoint Capitalism is her latest book. She also wrote Code Wars and co-edited What If We Could Reimagine Copyright?. Follow her on Twitter (@rgibli).

Cory Doctorow is a bestselling science fiction writer and activist. He is a special advisor to the Electronic Frontier Foundation, with whom he has worked for 20 years. He is also a visiting professor of computer science at the Open University (UK) and of library science at the University of North Carolina. He is also an MIT Media Lab research affiliate. He co-founded the UK Open Rights Group and co-owns the website Boing Boing. He is the author of more than 20 books, including novels for adults and young adults, graphic novels for middle-grade readers, picture books, nonfiction books on technology and politics, and collections of essays. Follow him on Twitter (@doctorow).

Kate Judge is the Harvey J. Goldschmid Professor of Law at Columbia Law School, where she has worked since 2009. Judge is an expert on financial markets, financial regulation, and regulatory architecture. She is an editor of the Journal of Financial Regulation, a research member of the European Corporate Governance Institute, and a member of the Financial Stability Task Force sponsored by the Brookings Institution and Chicago Booth School of Business. Judge has written numerous articles on the complexity of modern financial markets, how that complexity increases fragility and reduces accountability, and how financial regulation can better address these challenges. These articles have been published in leading journals, including Harvard Law Review, Stanford Law Review, The University of Chicago Law Review, Virginia Law Review, and Columbia Law Review. Two have been selected by peers as among the best business law articles of the year. She regularly presents her research at conferences and workshops in the United States and abroad.
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