March 22nd
7pm
Join award-winning poets Paul Muldoon and Shane McCrae for a night of readings and conversation.
Howdie Skelp by Paul Muldoon
The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection.
Named a Best Book of the Year by Financial Times, Irish Times, and The Guardian (UK)
"[A] storm of slaps against piety, prudery, cruelty and greed . . . Like Eliot, Muldoon’s after big, apocalyptic vision; unlike Eliot, Muldoon is willing—no, compelled—to clown . . . Like many important poets before him, from John Milton to Tim Rice, Muldoon knows that sinners and villains are more interesting, maybe more human, than self-appointed good guys. Poems, for Muldoon, are occasions to plumb the language for a truth that’s abysmal: as in appalling, and as in deep.” —Daisy Fried, The New York Times Book Review
A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action.
The poems in Howdie-Skelp, Paul Muldoon’s astonishing collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to hold our attention.
Cain Named the Animal by Shane McRae
A prophetic new collection of poems from Shane McCrae, “a shrewd composer of American stories" (Dan Chiasson, The New Yorker)
Writing you I give the death I take
I know I should feel wounded by your death
I write to you to make a wound write back
Shane McCrae fashions a world of endings and infinites in Cain Named the Animal. With cyclical, rhythmic lines that create and re-create images of our shared and specific pasts, McCrae's work moves into and through the wounds that we remember and “strains toward a vision of joy” (Will Brewbaker, Los Angeles Review of Books).
Cain Named the Animal expands upon the biblical, heavenly world that McCrae has been building throughout his previous collections; he writes of Eden, of the lost tribe that watched time enter the garden and God rehearse the world, and of the cartoon torments of hell. Yet for McCrae, these outer bounds of our universe are inseparable from the lives and deaths on Earth, from the mundanities and miracles of time passing and people growing up, growing old, and growing apart. As he writes, “God first thought time itself / Was flawed but time was God’s first mirror.”
We recommend that guests wear masks on the night.
Paul Muldoon was born in County Armagh in 1951. He now lives in New York. A former radio and television producer for the BBC in Belfast, he has taught at Princeton University for thirty-five years. He is the author of fourteen collections of poetry including Howdie-Skelp, published by FSG and Faber and Faber in 2021. Among his awards are the 1972 Eric Gregory Award, the 1980 Sir Geoffrey Faber Memorial Award, the 1994 T.S. Eliot Prize, the 1997 Irish Times Poetry Prize, the 2003 Pulitzer Prize, the 2003 Griffin International Prize for Poetry, the 2004 American Ireland Fund Literary Award, the 2004 Shakespeare Prize, the 2006 European Prize for Poetry, the 2015 Pigott Poetry Prize, the 2017 Queens Gold Medal for Poetry, and the 2020 Michael Marks Award. He is a Fellow of the Royal Society for Literature and a Fellow of the American Academy of Arts and Letters.
Shane McCrae’s most recent books are Sometimes I Never Suffered, a finalist for the Maya Angelou Book Award, the T. S. Eliot Prize, and the Rilke Prize, and Cain Named the Animal, a finalist for the Forward Prize. He has received a Lannan Literary Award, a Whiting Writer’s Award, an Anisfield-Wolf Book Award, A Michael Marks Award, a Pushcart Prize, and fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the New York Foundation for the Arts. He lives in New York City and teaches at Columbia University.
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