There’s only one solution for a nasty case of writer’s block, and that’s murder. Specifically, that of one Mercy McCabe, a cunning SoHo art dealer who was once our Latina narrator’s rival for the scrumptious Bebe. When she discovers that McCabe has squandered Bebe’s affections after stealing her away, revenge is not enough: McCabe must confess her guilt, sentence herself, and beg for her own execution, Soviet-style.
In the all-too-terrifyingly-familiar America of Heartland, the inconceivable has become ordinary: corruption and greed at the top have led to mass starvation in the heartland; hordes of refugees have escaped from resettlement camps and attack the cities; a puritanical Caliphate has toppled Constantinople, with America in its sights. Meanwhile, escaping her New York life in disguise, our heroine lures McCabe to her home turf: a hilltop house in the Great Plains where her parents worked as domestic servants. Her nemesis, though, is slippery, and McCabe disappears, threatening to ruin a homicidal masterplan so detailed as to be akin to love.
Heartland is a hilarious, genre-defying debut that confronts taboos of race, assimilation, and sex through a high-voltage tale of love, language, and revenge.
Ana Simo is the author of a dozen plays, a short feature film, and countless articles. A New Yorker most of her life, she was born and raised in Cuba. Forced to leave the island during the political/homophobic witch-hunts of the late 1960s, she first immigrated to France, where she studied with Roland Barthes and participated in early women’s and gay/lesbian rights groups. In New York next, she co-founded Medusa’s Revenge theatre, the direct action group the Lesbian Avengers, the national cable program Dyke TV, and the groundbreaking The Gully online magazine, offering queer views on everything. Heartland is her first novel.
Alisa Solomon teaches at Columbia University’s Graduate School of Journalism, where she directs the Arts & Culture concentration in the MA program. A theater critic and general reporter for the Village Voice from 1983 to 2004, she has also contributed to The New York Times, The Nation, NewYorker.com, Tablet, The Forward, Howlround.com, killingthebuddha.com, American Theater, TDR – The Drama Review, and other publications. Her first book, Re-Dressing the Canon: Essays on Theater and Gender, won the George Jean Nathan Award for Dramatic Criticism. Alisa has also edited several books: The Reverend Billy Project: From Rehearsal Hall to Super Mall with the Church of Life After Shopping by Savitri D and Bill Talen; Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict (co-edited with Tony Kushner); The Queerest Art: Essays on Lesbian and Gay Theater (co-edited with Framji Minwalla), and a special issue of the journal Theater on theater and social change.