It's 16-year-old Edie who finds their mother Marianne dangling in the living room from an old jump rope, puddle of urine on the floor, barely alive. Upstairs, 14-year-old Mae had fallen into one of her trances, often a result of feeling too closely attuned to her mother's dark moods. After Marianne is unwillingly admitted to a mental hospital, Edie and Mae are forced to move from their childhood home in Louisiana to New York to live with their estranged father, Dennis, a former civil rights activist and literary figure on the other side of success. The girls, grieving and homesick, are at first wary of their father's affection, but soon Mae and Edie's close relationship begins to fall apart―Edie remains fiercely loyal to Marianne, convinced that Dennis is responsible for her mother's downfall, while Mae, suffocated by her striking resemblances to her mother, feels pulled toward their father. The girls move in increasingly opposing and destructive directions as they struggle to cope with outsized pain, and as the history of Dennis and Marianne's romantic past clicks into focus, the family fractures further.
Katya Apekina is the author of the novel The Deeper the Water the Uglier the Fish. She has had stories published in The Iowa Review, Santa Monica Review, West Branch, Joyland, PANK and elsewhere, and has appeared on the Notable List of Best American Nonrequired Reading 2013. She translated poetry and prose for Night Wraps the Sky: Writings by and about Mayakovsky (Farrar, Straus, and Giroux, 2008), which was short-listed for the Best Translated Book Award. She co-wrote the screenplay for the feature film New Orleans, Mon Amour, starring Elisabeth Moss, which premiered at SXSW in 2008. Born in Moscow, she currently lives in Los Angeles.
Darcey Steinke is the author of the memoir Easter Everywhere, and the novels Milk, Jesus Saves, Suicide Blonde, Up Through the Water and Sister Golden Hair. With Rick Moody, she edited Joyful Noise: The New Testament Revisited (Little, Brown 1997). Her books have been translated into ten languages, and her nonfiction has appeared in The New York Times Magazine, The Boston Review, Vogue, Spin Magazine, Washington Post, Chicago Tribune, and The Guardian. Her web-story “Blindspot” was a part of the 2000 Whitney Biennial. She has been both a Henry Hoyns and a Stegner Fellow and Writer-in-Residence at the University of Mississippi, and has taught at the Columbia University School of the Arts, Barnard, The American University of Paris, and Princeton.