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"[An] absorbing and revealing book. . . nestling in the fruitful terrain between memoir and criticism." —Geoff Dyer, author of Out of Sheer Rage
Blending memoir and cultural criticism, Matthew Specktor explores family legacy, the lives of artists, and a city that embodies both dreams and disillusionment.
In 2006, Matthew Specktor moved into a crumbling Los Angeles apartment opposite the one in which F. Scott Fitzgerald spent the last moments of his life. Fitz had been Specktor’s first literary idol, someone whose own passage through Hollywood had, allegedly, broken him. Freshly divorced, professionally flailing, and reeling from his mother’s cancer diagnosis, Specktor was feeling unmoored. But rather than giving in or “cracking up,” he embarked on an obsessive journey to make sense of the mythologies of “success” and “failure” that haunt the artist’s life and the American imagination.
Part memoir, part cultural history, part portrait of place, Always Crashing in the Same Car explores Hollywood through a certain kind of collapse. It’s a vibrant and intimate inspection of failure told through the lives of iconic, if under-sung, artists—Carole Eastman, Eleanor Perry, Warren Zevon, Tuesday Weld, and Hal Ashby, among others—and the author’s own family history. Through this constellation of Hollywood figures, he unearths a fascinating alternate history of the city that raised him and explores the ways in which curtailed ambition, insufficiency, and loss shape all our lives.
At once deeply personal and broadly erudite, it is a story of an art form (the movies), a city (Los Angeles), and one person’s attempt to create meaning out of both. Above all, Specktor creates a moving search for optimism alongside the inevitability of failure and reveals the still-resonant power of art to help us navigate the beautiful ruins that await us all.
Matthew Specktor is the author of the novels American Dream Machine and That Summertime Sound; a nonfiction book, The Sting; and the forthcoming memoir The Golden Hour (Ecco/HarperCollins). His writing has appeared in The New York Times, The Paris Review, The Believer, Tin House, Vogue, GQ, Black Clock, and Open City. He has been a MacDowell fellow, and is a founding editor of the Los Angeles Review of Books. He resides in Los Angeles. www.matthewspecktor.com
Janet Fitch is the author of the #1 national bestseller White Oleander, a novel translated into 24 languages, an Oprah Book Club book and the basis of a feature film, Paint It Black, also widely translated and made into a 2017 film, and her epic novels of the Russian Revolution, The Revolution of Marina M. and Chimes of a Lost Cathedral. She lives in Los Angeles.
Fascinating.... This enthralling work deserves a central spot on the ever-growing shelf of books about Tinseltown. — Publishers Weekly, Starred Review
Eloquent…. An incisive collection of artist portraits illuminates the tenuous quality of Hollywood celebrity and the price it exacts. — Shelf Awareness
Specktor delivers interesting pieces of criticism, reporting, and self-help in this unique memoir. — Kirkus Reviews
Specktor has captured the LA I know, the one all around me and the one in my head, a city of invention and grit, surface and underbelly. — Charles Yu, author of Interior Chinatown
Haunting, powerful, riveting, unforgettable—I could go on (and on) about Matthew Specktor's astounding new book about failure, writing, Los Angeles, and the movies. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it. — Tom Bissell, author of Creative Types
Matthew Specktor's Always Crashing in the Same Car is going on the shelf with Play It As it Lays and The Big Sleep and my other favorite books about L.A. I'm not sure what it is. A memoir-essay grafted onto a psycho-geographic travelogue of the weirdest town to be from? All I know is I couldn't stop reading it. — John Jeremiah Sullivan, author of Pulphead
A haunting memoir-in-criticism exploring a very certain kind of failure—the Hollywood story. Specktor intricately knits his own losses and nostalgias into a larger cultural narrative of writers and filmmakers whose failures left behind a ghostly glamour. I can’t get it out of my mind. — Janet Fitch, author of White Oleander
In Hollywood, according to Brecht’s famous formulation, there was no need of heaven and hell; the presence of heaven alone served the unsuccessful as hell. But Los Angeles has always been full of commuters on the congested freeway between both camps. They are the subject of Matthew Specktor’s continuously absorbing and revealing book, itself nestling in the fruitful terrain between memoir and criticism. — Geoff Dyer, author of Out of Sheer Rage