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All City is more than a novel, it's a foreshadowing of a world to come.
In a near-future New York City ravaged by climate change and economic inequality, a superstorm hits, leaving behind only those who had nowhere else to go and no way to get out. Among those who remain are 24-year-old Makayla, who works in the city’s most ubiquitous convenience store chain, and Jesse, an 18-year-old, genderqueer anarchist living in an abandoned IRT station in the Bronx. In the aftermath of the storm, Jesse joins Makayla’s group of remainders in an abandoned luxury condo building, carving out a small sanctuary in the midst of a destroyed city.
Meanwhile, mysterious, colorful murals begin to appear throughout NYC, bringing hope to the forsaken and left-behind. But the storm’s castaways aren’t the only ones who find beauty in the art: the media, having long abandoned the supposedly-hopeless metropolis, “discovers” the emergence of the murals. When one appears on Makayla and Jesse’s repurposed luxury condo, it is only a matter of time before the landlord class comes back to claim the city for themselves.
About the Author
Alex DiFrancesco has published fiction in The Carolina Quarterly, The New Ohio Review, and Monkeybicycle. They are a winner of Sundress Academy for the Arts' 2017 OutSpoken contest for LGBTQ+ writing. DiFrancesco's non-fiction has appeared in The Washington Post, Tin House, Longreads, Brevity, and was a finalist in Cosmonauts Avenue's inaugural non-fiction prize. Their storytelling has been featured at The Fringe Festival, Life of the Law, The Queens Book Festival, and The Heart podcast. DiFrancesco is also a skilled bread baker and pastry cook, a passionate activist and advocate, and has a small, wonderful cat named Sylvia Rivera-Katz.
"In this warm and lovely novel set in a near-future New York battered by climate change and gentrification, DiFrancesco (Psychopomps) braids together art, power, crisis, and community organizing. After Superstorm Bernice floods New York, convenience-store clerk Makayla, bike courier Jaden, and the silent, traumatized Alejandro take over an abandoned luxury condo. With their neighbors, including genderqueer activist Jesse, they carve out a secret community of survivors that’s built on mutual care and support. But when a mysterious muralist’s paintings draw the building’s landlord, and the police, back to take what Makayla and friends have built, they must choose whether to fade back into the shelters or stay and fight. DiFrancesco’s crystalline eye for detail—a coin’s glitter in block party debris, rooftops like floating Lego bricks—paints Brooklyn as a wide universe filled with a gut-deep sense of community. . . . This loving, grieving warning thoughtfully traces the resilience, fragility, and joy of precarious communities in an immediate, compassionate voice." —Publishers Weekly
"Alex DiFrancesco's All City walks a razored line between hope and hopelessness, never forgetting that only a few are privileged to have a surfeit of the former. This is a harrowing and powerful love letter to a city on the edge of a slow apocalypse, and to the people that city—and the world—threatens to leave behind as it moves against the rising tide of an uncertain future." —Indra Das, author of The Devourers
"Alex DiFrancesco's All City provides a vivid, all-too-realistic glimpse into our climate-change future. Portraying the best and worst of what makes us human, the novel celebrates community-building, survival, and the possibility of hope, while criticizing the institutions that actively work to divide us. It is a rallying cry worth echoing." —Ilana Masad, author of All My Mother's Lovers
"At last, a future New York novel with heart and heft. A hammer blow aimed at the present and its shiny display of bougie hipster climate capitalism. Read it!" —Siddhartha Deb, author of The Beautiful and the Damned
"Alex DiFrancesco’s All City is a small miracle. Set in a storm-ravaged near-future New York City, it is that rarest of novels, one that begins as an unrelenting nightmare, then dares us to feel greater and greater hope as it goes on. It’s about building a community amid the wreckage of what came before and about the choices we must make when there are no good choices to be made. A fiercely empathetic tour of a disaster most of us don’t realize is already here, All City is a novel everyone concerned about the health and survival of our cities must read." —William Shunn, author of The Accidental Terrorist
"All City engages the near future in New York City—a future we cannot help but imagine and fear—a city under water. A city whose heightened inequalities give way to complete chaos. The novel hits close to home, with a cast of characters who respond by producing a little utopia, amid a lot of dystopia, as they navigate the water, the chaos, and their relationships. Survival swirls together with loss, giving readers cold—and clammy—comfort." —Alexandra Chasin, author of Assassin of Youth: A Kaleidoscopic History of Harry J. Anslinger's War on Drugs
"I was mesmerized by this story about the tragic collision of global warming and capitalism, and how love creeps in to sustain and nurture, even when it's been reduced to a memory." —Mary Adkins, author of When You Read This