Over 50 original full-color artworks address newly translated writings of Robert Walser
A Little Ramble: In the Spirit of Robert Walser is a project initiated by the gallerist Donald Young, who saw in Walser an exemplary figure through whom connections between art and literature could be discussed anew. He invited a group of artists to respond to Walser’s writing. A Little Ramble is a result of that collaboration.
The artists have chosen stories by Robert Walser as well as excerpts from Walks with Robert Walser, conversations with the writer recorded by his guardian Carl Seelig. Much of this material appears in English for the first time.Accompanying these pieces are over fifty color artworks created specifically for this project, a preface by Donald Young, and an afterword by Lynne Cooke.
About the Author
Robert Walser (1878–1956) was born in Switzerland. He left school at fourteen and led a wandering and precarious existence working as a bank clerk, a butler in a castle, and an inventor's assistant while producing essays, stories, and novels. In 1933 he abandoned writing and entered a sanatorium—where he remained for the rest of his life. "I am not here to write," Walser said, "but to be mad."
Distinguished poet and translator Christopher Middleton lives in Austin, Texas. His awards include the Geoffrey Faber Memorial Prize and the Schegel-Tieck Translation Prize.
Susan Bernofsky is the acclaimed translator of Hermann Hesse, Robert Walser, and Jenny Erpenbeck, and the recipient of many awards, including the Helen and Kurt Wolff Prize and the Hermann Hesse Translation Prize. She teaches literary translation at Columbia University and lives in New York.
Texts like these demonstrate not only Walser’s effect on the literary and aesthetic work in world literature half a century after his death but also his status as a niche author, a seeming prerequisite for any 'writer’s writer'... It is no wonder that Walser has been so influential to artists and writers whose work is similarly charged with social criticism, examinations of the individual in relation to the world, and the attempt to fathom artistic inspiration. — The Quarterly Conversation