NATIONAL BOOK AWARD WINNER • Sabbath's Theater is a comic creation of epic proportions, and Mickey Sabbath is its gargantuan hero.
"Roth's richest, most rewarding novel ... funny and profound ... as powerful as writing can be." —The New York Times Book Review
Once a scandalously inventive puppeteer, Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his long-time mistress—an erotic free spirit whose adulterous daring surpassed even his own—Sabbath embarks on a turbulent journey into his past. Bereft and grieving, besieged by the ghosts of those who loved and hated him most, he contrives a succession of farcical disasters that take him to the brink of madness and extinction.
About the Author
In 1997 Philip Roth won the Pulitzer Prize for American Pastoral. In 1998 he received the National Medal of Arts atthe White House and in 2002 the highest award of the AmericanAcademy of Arts and Letters, the Gold Medal in Fiction.He twice won the National Book Award and the NationalBook Critics Circle Award. He won the PEN/FaulknerAward three times. In 2005 The Plot Against America receivedthe Society of American Historians’ Prize for “the outstandinghistorical novel on an American theme for 2003–2004.”Roth received PEN’s two most prestigious awards:in 2006 the PEN/Nabokov Award and in 2007 the PEN/Bellow Award for achievement in American fiction. In 2011 he received the National HumanitiesMedal at the White House, and was later named the fourthrecipient of the Man Booker International Prize. He died in 2018.
ONE OF THE NEW YORKER'S BEST BOOKS OF THE YEAR
"A great work . . . Roth's richest, most rewarding novel . . . funny and profound . . . as powerful as writing can be." —The New York Times Book Review
"This splendidly wicked book . . . is among the most remarkable novels in recent years. . . . The energy of the book is amazing.... Roth is hilariously serious about life and death." —Frank Kermode, TheNew York Review of Books
"Roth's extraordinary new novel is an astonishment and a scourge, and one of the strangest achievements of fictional prose that I have ever read. . . . It is very exquisite." —James Wood, New Republic