This book examines transmissibility to remind us why the vitality and epistemic significance of an artwork is anachronistic and futural.
Transmissibility: Writing Aesthetic History performs a transdisciplinary philosophy of aesthetic history via the work of Gilles Deleuze and F lix Guattari, Cy Twombly, Marina Abramovic, Paul Celan, Cecil Taylor, Italo Calvino, Candida H fer, and others by focusing on theā”artistic and historiographic labor that differentiates artworks from other modes of creation.