As one of the major figures of Russian Symbolism, Sologub is credited for bringing the cynical and macabre motifs of Western Europe’s fin de siècle writers to Russia. Fantastical depictions of the human condition are threaded seamlessly with literary realism in his short stories. Thanks to Susanne Fusso's new translation, this oft forgotten writer finds a new audience with the modern reader.
— AryaA boy who feels persecuted by the banality of everyday life yearns to ascend to the cold and majestic plane of the stars. A seamstress finds liberation of a sort in "becoming" a dog and howling at the moon. A club of young girls masquerade as the grieving fianc es of strange men. This book brings together these and other remarkable short stories by the Russian Symbolist Fyodor Sologub that explore the lengths to which people will go to transcend the mundane.
Renowned as one of late imperial Russia's finest stylists, Sologub bridges the great nineteenth-century novel and the fin-de-si cle avant-garde. He stands out for his masterful command of both realist and fantastic storytelling; his play with language evinces a belief in its capacity to access other worlds and other levels of meaning. Many of Sologub's stories are set among children whose alienation from the adult world has lent them imagination and curiosity, enabling them to create an alternative reality. At the same time, he bluntly examines the sordid realities of late imperial Russian society and frankly presents sometimes unconventional sexuality. The book also features a selection of Sologub's "little fairy tales," ambiguous parables couched in childlike language whose ingenuity anticipates the miniatures and "incidents" of Daniil Kharms. Susanne Fusso's elegant translation offers these artful tales to an English-speaking audience.